The attire library

What we wear. And what it says.

44garments, cloths, and ornaments and counting, from kente’s named colour-patterns to a Zulu isicholo to a Tuareg tagelmust: what each piece is, what it signifies, and who may wear it.

Not a fashion catalogue: no shopping links, no styling advice. Every entry treats dress as material culture and answers the question most visitors actually have — can I wear this? Filter by category, region, country, or people; every claim wears its badge.

Also on this shelf: the customs library and the cuisine library →

Showing 1–12 of 44

Clothmachine draft

Adire

Indigo-dyed cotton cloth, resist-patterned by hand using stitching, tying, or starch-painting before dyeing, an Egba Yoruba craft tradition centred in Abeokuta.

Yoruba

A man stands in a wide-sleeved white agbada, its chest and shoulders worked in dark embroidery, over a matching cap.
Garmentmachine draft

Agbada

A voluminous, wide-sleeved flowing robe worn over a matching tunic and trousers, the formal dress of Yoruba and Hausa men for the most significant occasions.

Yoruba · Hausa

Clothmachine draft

Akwete cloth

A heavy, hand-woven Igbo cloth on a vertical loom, historically the domain of women weavers in the town of Akwete, patterned with bold geometric and figurative motifs.

Igbo

Beadwork & jewellerymachine draft

Amazigh silver jewellery

Heavy silver jewellery, fibulae, headpieces, and bracelets, often set with coral, amber, or enamel, worn by Amazigh (Berber) women and passed down as family heirlooms.

Amazigh

Clothmachine draft

Aso ebi

A single fabric chosen for one specific event, bought and tailored by the hosting family and their guests so everyone appears in coordinated, sometimes identical, dress.

Yoruba

A length of coral-red aso oke folded on a plain surface, its narrow woven stripes and slight sheen running across the fold.
Clothmachine draft

Aso oke

A heavier, hand-woven Yoruba cloth in rich colour and texture, tailored into agbada, gele, and other formal wear specifically for weddings, chieftaincy, and major ceremony.

Yoruba

A young Mosotho woman wraps a blue Seanamarena blanket around her shoulders, its black geometric motifs clearly visible, standing in a sunlit street.
Clothmachine draft

Basotho blanket

A thick, boldly patterned wool blanket, worn draped over the shoulders and pinned, so central to Basotho identity that it appears on Lesotho’s own iconography.

Basotho

Clothmachine draft

Bogolanfini

Handwoven cotton cloth dyed with fermented mud and plant dyes into bold, often black-and-cream geometric patterns, a Malian Mande textile tradition with deep symbolic vocabulary.

Mandinka / Mandé

A man in a deep blue bazin boubou, pale embroidery running down the chest, the wide sleeves falling to either side.
Garmentmachine draft

Boubou

A wide, flowing robe with generous sleeves, worn over matching trousers, the everyday and formal dress of Wolof and Mandinka men and, in a fitted women’s version, of women across the Sahel.

Wolof · Mandinka / Mandé

Adornmentmachine draft

Coptic wrist tattoo

A small, simple cross tattooed on the inside of the wrist, a tradition among Coptic Christians in Egypt, often applied in childhood and worn for life as a permanent, visible mark of faith.

Coptic Orthodox Christians

A striped hooded djellaba on a museum mannequin, the pointed hood lying back against the shoulders.
Garmentmachine draft

Djellaba

A long, loose, hooded robe worn by both men and women across the Maghreb, practical for weather and modesty alike, worn daily and, in finer versions, for Friday prayer and celebration.

Amazigh

Headwearmachine draft

Doek

A headwrap tied from a square of fabric, worn daily and for ceremony across South African communities, its knot style and fabric choice carrying its own small vocabulary.

South Africans · Xhosa · Zulu

Photographs by Daderot (Public domain), Erasmus Kamugisha (CC BY-SA 4.0), Ethan Doyle White (CC BY-SA 4.0), Geossegawa (CC BY-SA 4.0), InfoATemeagwaliDOTcom (CC BY-SA 3.0), Jeremyida002 (CC0), Khobbyyyy (CC0), Lady.Xhosa (CC0), Mady-khoullé Sylla (CC BY-SA 4.0), Mary Harrsch (CC BY-SA 4.0), Maryam Mgonja (CC BY-SA 4.0), Merriammahlaule.mm (CC BY-SA 4.0), MphoTsuene (CC BY-SA 4.0), msafari2425 (CC BY 2.0), Ssemmanda will (CC BY-SA 4.0), Unknown author (CC BY 3.0), USBSMG1 (CC BY-SA 4.0) and Zoeloes (CC0). Each entry carries its own full credit and source.